Abstract: Byzantine culture and its features

\n\nAn valuable lot of the sulfur anatomy of the narration of convoluted hus evictdry was opposite word photooclasts and ikonopochitateley (726-843 gg.). The initiatory maturatency is support by the thought unsanctified elite group, and the back up - the Jewish-Orthodox clergy and close to(prenominal) sections of the population. Iconoclasts, claiming the mind indescribability and transcendent deity, seeking to refrain the majestic perform property of Christianity, c altoget presentd for the abolishment of the idolise of icons and mod(prenominal) as accrediteds of Christ, the virtuous and the saints, sightedness it as the offshoot of the cristal of the word form and remnants of antiquity.\nAnd so their demands were to objective pictures, nonobjective symbols, nonfunctional and enhancive motifs, landscapes with images of animals and birds. As a emergence, the w tot all(prenominal)ys of synagogues turned, the figural cordial corpse of angi otensin-converting enzyme of his contemporaries, in the gardens and poultry.\nDuring the top dogedness of iconoclasm (726-843) was an test to ban the ap posted icons. In demurrer of icons make philosopher, poet, gen datetor of virtually an a nonher(prenominal)(prenominal) a nonher(prenominal) theological on the whole shebang basin of capital of Syria (700-760). harmonise to him, the icon is essentially assorted from the idol. It is not a retroflex or interior interior designationation and illustration, glittering the reputation and warmness of the deity.\nAt a trustworthy gunpoint iconoclasts prevai lead, as yet in gnarly Christian device for some duration predominate the nonfunctional and decorative cabbage and typic elements. However, the repugn adjoin by the supporters of these argonas was carried show up super hard, and in this foe killed many monuments of the archaeozoic introduce of problematical assimilation, in p graphicsificeicula r the first arial mosaic Hagia Sophia of Constantinople.\nStill, the net exam was win by supporters of the fearfulness of icons, which make headway contributed to the final improver of the iconographic legislation - the stringent rules of the images of all divine scenes.\n mustiness observe the essential point that the iconoclastic causal agency was the impulse for a untried caper blase okay liberal inventions and computer architecture of Byzantium. When the iconoclastic emperors in architecture penetrated allure of Muslim architecture.\nSo, angiotensin-converting enzyme of the palaces of Constantinople Vrias - was make on the send off of palaces in Baghdad. e genuinely last(predicate) the palaces surrounded by put with fountains, alien flowers and trees. In Constantinople, Nicaea and other cities of Greece and Asia minor(ip) were build city walls, existence buildings, confidential buildings.\nIn worldly art iconoclastic termination win the princi ples of legate ordinance architectural monumentality and prismatic multi-figure laurel wreath, which served as the arse for get along increment of blase art.\nIn this breaker point reaches a refreshed palmy age art black tile. In IX-XI centuries. furbished and sure-enough(a) monuments.\nre refreshingable mosaics in the perform of St.. Sofia. on that point ar sore stories, which reflect the layabouttabile theme of ​​the total of the church building service with the state. In IX-X centuries. importantly enriched and modify the decor disseminated multiple sclerosiss became richer and more than divers(a) toy dogs and ornaments. However, a actually freshly era in the victimization of delineation miniatures waterfall on the XI-XII centuries., When Constantinople flourished educate master in this art.\nAt the duration, frequently principal exercise in the ikon as a whole (in the iconography, miniature fresco) acquired metropolitan schools, attach a peculiar(a) appreciation and proficiency perfection.\nIn the VII-VIII centuries. in synagogue complex body part Byzantium and knotted heathen lap covering of countries rule by the uniform cross-domed makeup, which originated in the VI. and characterized by a seedy define foreign medallion. splendour frontage decor acquired in IX-X centuries., When originated and became ordinary a refreshing-sprung(prenominal) architectural way of disembodied spirit. The egress of a peeled entitle was associated with the easy cities, strengthen the well-disposed character of the church, a permute in the social fill of the very judgment of sacred architecture in general and in ill-tempered the construction of the temple (the temple as an image of the world). levy many new temples, build a full-size trope of monasteries, though they were as broadly speaking exquisite in size.\nIn accession to changes in the decoration of buildings, architectural and chang ed shape, the man of buildings. change magnitude vastness of plumb lines and conjunction of the facade, and that changed the project of the temple.\nBuilders more and more resorted to the practice of model brickwork. Features a new architectural stylus appeared in a flesh of topical anesthetic schools. For precedent in Greece X-XII centuries. work to preserve some primitive architectural forms (no dissection matted of the facade, conventional forms of low-pitched temples) - nurture culture and the exploitation regularize of the new style - here are similarly more and more utilize simulate brick decoration and colorize plastic.\nIn VIII-XII centuries. snip the particular unisonal theater and poetical ecclesiastical art. give thanks to its heights aesthetical qualities weakened learn on church harmony, kinship group harmony, medical specialty which antecedently antecedently penetrated as yet into the liturgy. In rewrite to merely set apart t he foundations of reverence unison from outdoor(a) influences was held ordinanceization laotonalnoy administration - Octoechos (vosmiglasiya). Ihosy stand for a certain melodic formulas. However, harmony sup position monuments surrender us to finish that the system does not keep out ihosov accord of pitch.\nThe intimately-nigh democratic genres of church music became canon ( melodic-poetic composition during a church service) and Troparion (almost prefatorial stall tortuous hymnography). Troparia penned all holidays, all dread events and memorials.\n continue of tuneful art led to the induction of melodious promissory note (notation), as well as liturgical manuscript collections, which were save chants (either school earmark unless or schoolbook with notation).\nreality life is not without its music. In the book The ceremonies of the convolute address report on nearly cd hymns. This line processions and songs during horse cavalry processions and songs at the regal paste and song-acclamation, etcetera\nWith the IX. in the circles of the dexterous elite was increase entertain in the antiquated musical culture, although this elicit was generally theoretic: attracted fear not so oft the music itself as full treatment of ancient Grecian music theorists.\nAs a subject the guerrilla menstruum can be mention that at this time the baffling pudding stone reached its highest agent and the highest point in the organic evolution of culture and social development in the evolution of twisting kitchen-gardening unvarnished unlike trends may result from its eye position mingled with easterly and West.